Special Collaboration Print Edition
with Jason Wallace Studio
+ Lapis Press

‘Divided We Stand’ is a large-scale, visually compelling print from Jason Wallace’s Mathematical Signs and Symbols series, a body of work that uses mathematical notation as a visual language to examine human geometry; how we are shaped by, and in turn shape, our social, cultural, and psychological environments. At the center of this composition is a bold division symbol, rendered in 86 distinct colors. The palette draws from complementary and analogous color relationships, creating intentional tension and unexpected harmony. Each color quadrant represents a distinct intersection of masculine and feminine energies, inviting the viewer to engage with nuanced notions of duality, identity, and perception.

This work operates on both a formal and conceptual level. The precise geometry of the division sign suggests separation, opposition, or inequality; yet the diversity and arrangement of color resist this binary reading. Instead, Wallace proposes that division, paradoxically, can also be a site of cohesion. By placing elements that seemingly do not belong together side by side, the work highlights the fragile yet generative space where contrast becomes connection.

The sign and symbol call the viewer to consider the complexity of coexistence, how individuals, ideas, or identities that feel incompatible might nevertheless form a meaningful whole. At a broader level, Divided We Stand explores the psychological and social necessity of adaptability. It underscores the importance of learning to navigate both environments that reflect one’s own identity and those that feel foreign or disorienting. In doing so, the work positions adaptability, not sameness, as a condition for thriving within a diverse and often divided society.

How Print Editions and Pricing Work at Jason Wallace Studio?

This print edition is limited to just [15] total prints, which means once they’re gone, no more will ever be made.

Here’s how it’s structured:

    •    Tier 1 [Prints 1–5]: $5,000

These are the most coveted prints, priced for their rarity and low edition number.

    •    Tier 2 [Prints 6–10]: $4,000

As more prints sell, availability decreases, which in turn raises the value.

    •    Tier 3 [Prints 11–15]: $3,000.00

These were offered at a pre-sale price of $2,000 before printing.

After August 7, they will be $3,000.

In addition, there are [3] Artist Proofs priced at $6,000 each. These are not part of the main edition and are usually reserved by the artist for museums, exhibitions, or major collections, making them even more exclusive.

Why Scarcity Matters?

The fewer prints left, the more valuable they become. This system rewards early collectors and increases the artwork’s value over time, making it both a personal investment and a collector’s item.

At Jason Wallace Studio, integrity and transparency are essential to how we create and share value. By clearly outlining the edition structure, pricing tiers, and availability, we ensure that collectors know exactly what they’re investing in. Limited editions are not just about scarcity, but they’re about trust. When an artist commits to a specific number of works and honors that promise, it preserves the value of each piece and builds confidence for collectors, institutions, and future audiences. This level of openness is part of how we create lasting value beyond the artwork itself.

On Integrity and Transparency

Art, to me, is not a static object but an evolving conversation—one where every new viewer brings a new perspective, keeping the work alive and dynamic.

Work

Can/Recycled series with a crushed aluminum can in a black and white print.  This series participates in the Pop art and Everyday art movements.

“It no longer even has to be rational, because it no longer measures itself against either an ideal or a negative instance. It is no longer anything but operational.”

The above quote has always resonated with me because it embodies the artist's ability to stay true to his/her/their purpose and not be driven by the popular machine of thoughts. Also, the notion speaks to one’s existence and the ability to “be” enough.

Jean Badrillard | Simulacra and Simulation

Jason Wallace sketching a camouflage target, part of his exploration of mastery, failure, and perception through the symbolic use of targets in his art practice.

Prints

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